U.S. HISPANIC

Director Álvaro Curiel in #PRODUprimetime: Iñárritu, Cuarón and Del Toro left because there were no opportunities in Mexico but today it is the opposite

Miryana Márquez| 30 de julio de 2021

Álvaro Curiel Director Mexicano

“All my friends, directors of the CCC, Centro de Capacitación Cinematográfica, and my colleagues from film schools, all of them, are working. You talk to them and they say: ‘I’m doing a series for Amazon, for Netflix.’ There are many opportunities in Mexico today,” said the Mexican director Álvaro Curiel de Icaza in #PRODUprimetime with Ríchard Izarra. He directed the series Somos., recently released and that reached the top 1 on Netflix in Mexico. He is currently working for a project with Sony Latin America, and is talking about a proposal in Germany, which came precisely because of his work in Somos.

NEXT GENERATION

“What happened to Cuarón? What happened to Iñárritu and Del Toro?” he asked himself. “Beyond the enormous talent they have, they had to leave because Mexico could not provide them with any opportunity. At that time there were no movies, there were no series. Those three directors, if they had been in today’s Mexico, would have had many opportunities. We are of the next generation. They opened the way for us, and we had harvested what we all worked for, in some way, since 1990,” he added.

CROSSOVER WITHOUT LEAVING MEXICO

RI: But are you interested in doing the crossover? We know that you have already directed a second unit for Hollywood in the US.

AC: “I’m going to be very honest, because I also have representation in the US. There was a time when I was going to burn everything, sell everything and move to the US. Rodrigo García, García Márquez’s son, who is a person to whom I admire a lot, encouraged me by saying: ‘Álvaro, you have everything to do it’. At that time, about 12-13 years ago, I thought about it, because the conditions were not yet in place to come and go as we do now. I think that right now, regardless of the zip code where you live, you can do projects there and here. I think a new opportunity opens up no matter where you live. Next week I have a meeting to do a huge and incredible project in Europe, in Germany: I have my fingers crossed. Now we can all come and go. But yes, I am interested in the crossover.”

BEST SERIES’ DIRECTOR

“Today I have the honor of being with a talented Mexican director who comes from a family of filmmakers and musicians, and since he was born he has been in the artistic environment. He has been directing series for about 15 years, having made at least 300 episodes of different genres and for different companies. His namesake, the famous TV critic Álvaro Cueva, has described him as ‘the best series director we have in Mexico.’ Recently, one of his most acclaimed works, the series Somos., for Netflix, was released. He is Álvaro Curiel de Icaza,” said Ríchard to introduce him.

CREDITS

His credits include the Televisa series under the “Made in Mexico” label that began in 2006 and was promoted by Pepe Bastón when he was president of TV. Among them he directed M13DOS, Terminales, later adapted by ABC Family as Chasing Life; Los Simuladores; Mujeres Asesinas, Los Héroes del Norte, which he wrote with Gustavo Loza. Of this attempt, he thinks that Televisa had no patience and that he had to wait a while longer before suspending them in 2010. Due to this he went to Colombia, where he spent about eight years and participated in FOXTelecolombia in the realization of series such as Cumbia Ninja. Also with Lemon Studios and Channel Once he directed episodes of Paramédicos. For Azteca he made La Teniente, by Benjamin Salinas himself. For Disney, Hasta que te Conocí.

SOMOS.

“I have been trying for many years to make TV a good place for everyone, and precisely this series Somos. proves that we can make a TV of another level. I did not expect that great success. I know we did it with a lot of dedication. It was done by one of the best crew that I have ever faced in my life. Sandra Solares is an incredible producer, and of course we are talking about James Schamus, this Hollywood producer who has three Oscar nominations. I told James: ‘It’s going to cost you a lot of work to compete with other projects that are here on the market, including projects that were mine’. To my surprise, James’s response shut my mouth: ‘Álvaro: this experiment, this madness called Somos. It can also have an important space. ‘ And people are receiving it very gratefully. For me it is an absolute novelty that people are going crazy, recommending it and saying that it is something you can’t miss. I still don’t believe it,” he pointed out about the audience’s response to Somos..

NON ACTORS

On working with non-actors, as was the case with Somos., he said: “When James told us ‘we are going with only non-actors,’ imagine the responsibility you feel as a director: you are terrified! Because I have said that I would not work if they are not actors, because I love actors. First we had the best casting director in this country, his name is Bernardo Velasco, who made the Mexican film that was close to being nominated for an Oscar, Ya no Estoy Aquí, by Fernando Frías, also with non-actors. Bernardo made a spectacular selection. Then I went to Durango to work for three weeks and play with those people to see who really had the ability to become characters. It was a super-intimate job with these guys who work in an auto repair shop, as in the case of Jesús Sida (Paquito); or people who worked as cowboys in the town of Durango John Wayne doing stunts, or who worked as teachers. In that three-week I also learned how to make them react.”

MAGIC AND JOY

He continued: “But the moment we started, everything began to work. As if by magic, Paquito, for example, Jesús Sida, I saw him breathing deeply: I’m very nervous but right now it’s going to go away.’ This speaks of the courage with which he faced this project, and so they all. It was a real joy. James was very clear: ‘I don’t want to be the producer sitting with the monitor next to you, bothering you. I’m going to let you create.’ There were five episodes about the lives of these people, and for the sixth he told me: ‘Álvaro, this is your episode’ and it was practically an hour and a half movie, a feature film. There James did release the handbrake … “.

TÚ ERES MI PROBLEMA

Álvaro, in addition to directing series, makes his own films. He is currently on his fourth feature film, Tú Eres mi Problema, directed and written by himself, starring Bárbara Mori and to be released in a few months. Of this film he commented: “There is a new very important studio in Mexico called Talipot Studio. It is wonderful because they are trying to make quality films. They take risks and put all the money; they don’t ask the government for money. The film that opened the Cannes festival was theirs, Leos Carax. They trusted me, they asked me for a story and I sold them this one, Tú Eres mi Problema, which, according to Netflix, ‘is the best performance of Barbara Mori’s career.’ You can imagine after having directed non-actors, arriving with an actress with all the trajectory of Barbara … I am very happy. Cinema is a space that I cannot give up.”

View interview here

Diario de Hoy

viernes, 27 de septiembre de 2024

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Comenzó la décima edición de SMARTFILMS con más de 1.200 cortometrajes hechos con celulares

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VIPS

• José Luis Sánchez de Natpe Global: Venimos a México a explicar qué es RealScreen Summit y las ventajas de participar en ambos eventos

• César Sabroso de A+E: Producir Huellas para celebrar 70 años de VW en México es ejemplo de unir esfuerzos con marcas para causar mayor impacto

• Productora Nidian Abella: SMARTFILMS me dio la posibilidad de difundir mensajes que resuenen con todos los públicos

PERSONAJE DE LA SEMANA

Roberto Stopello, showrunner y series developer de Netflix

Roberto Stopello es personaje de la semana en PRODU, tras la entrevista exclusiva ofrecida a Ríchard Izarra en #PRODUprimetime, donde reveló detalles de su nueva etapa profesional, después de dejar su cargo en enero de este año como VP de Desarrollo para México en Netflix. Ahora sigue trabajando en exclusiva para la plataforma, pero con mayor libertad y con la posibilidad de pasar tiempo de calidad con su familia. Además, puede vivir en Orlando, EE UU, donde están sus afectos.

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ACTUALIDAD

• Globo presenta al mercado internacional telenovela Manía de ti de João Emanuel Carneiro

• Shooting in Spain intensifica su presencia internacional para atraer rodajes a España

• Festival Internacional de Cine de Cartagena de Indias abrió convocatoria para la selección oficial de su edición 64

• ICEX España lanza la campaña Spain, Where Talent Ignites para potenciar la imagen internacional de la marca Audiovisual from Spain

El oráculo 35 años: Cecilia Gómez de la Torre

FIC Monterrey celebra vigésima edición con foco a reforzar su internacionalización

Diana Cobos del FIC Monterrey: Incrementamos la parte de Industria como parte del crecimiento del Festival

Arturo Sampson de Exile: Estrenaremos en Telemundo miniserie documental con J. Balvin que abordará temas mentales

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CONTENIDOS

• Mi pequeña princesa del catálogo de Latin Media lidera la audiencia en República Dominicana

• Netflix lanza documental argentino María Soledad: El fin del silencio el próximo 10 de octubre

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VIPS
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Natpe fortalece su propuesta como mercado con la incorporación de RealScreen Summit, dos mercados en uno, ambos a realizarse en la semana del 3 al 7 de febrero en el Hotel InterContinental de Miami. De esta manera, incrementa su propuesta de valor, al ofrecer un mayor acceso a distribuidores y compradores de EE UU y global, con el atractivo de nuevos contactos y negocios para el mercado latinoamericano. Otra ventana es que se distancia de Content Americas en el espacio de tiempo. Sobre estos temas habló en México José Luis Sánchez, gerente para Latinoamérica, EE UU y Global de Natpe Global, quien viajó a este país junto a César Díaz, en una cruzada de ventas y promoción del evento.

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ACTUALIDAD
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Gabz, Agatha Moreira, Chay Suede y Nicolas Prattes son los protagonistas de Manía de ti
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CONTENIDOS
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Mi pequeña princesa
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Netflix estrena el próximo 10 de octubre en todo el mundo María Soledad: El fin del silencio, documental argentino de Red Creek y Néctar Films sobre el femicidio de María Soledad Morales, a 30 años de su asesinato.

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