TELEVISIÓN Versión en español

Alberto Pardo of Adsmovil: Product placement originates all we’ll know as interactivity on tomorrow’s TV

Liz Unamo| 1 de noviembre de 2022

Face to Face Webinar con Alberto Pardo

The transformation of television has also influenced the way advertising is presented on the different screens. One that has already been used for several years is “product placement,” which according to Alberto Pardo, founder and CEO of Adsmovil, will continue to evolve thanks to digitization. “I believe digitization will undoubtedly allow the creation of a series of interactions between the user and computer screens, and which perhaps we don’t yet have,” he said on the FIAP Face To Faceentitled Scenes of the Future: Television in 2030. As an example, Pardo mentioned Live Shopping on YouTube, where the video platform sets up a connection of audiovisual content with online sales. He said that such initiatives have a huge potential. “Two industries worth trillions of dollars – this mix could be explosive and requires that people behind the storytelling understand how the digital component is going to help.” “I believe things like this are just the beginning. It’s the point of the iceberg of where we’re going, and surely in five years it’s going to look as old as black-and-white TV. I believe product placement is undoubtedly the origin of all that we’ll know as interactivity with tomorrow’s TV,” he said.This democratization thanks to the digitization of TV, according to Pardo, has borne fruit with an enormous amount of content. “I feel TV will become more important than what it’s been up to now, and that’s because it will have an explosion of content.” This in turn means that consumers will find different options that are much cheaper than what they paid the cable operators.“I don’t think cable operators will be caught with their pants down. I’m sure they’ll react to the market in one way or another and with the needed investment. They’ll make a lot of noise about that, for which reason I feel the television business in terms of viewership is going to skyrocket.” Just as happened with the music industry, which, he said, was democratized and demonetized 20 years ago in a way that it made money, television is going down the same road today. “It won’t be in five, ten or 15 years, but surely we’re already seeing that path to demonetization, so it’s no longer the traditional cable but a bunch of different options. The way this demonetization is taking place looks to the user very much like the road music took in the years 1999-2000.” He explained that over the past ten to 15years there existed what was payment by segment, the cable operator and the lineal segment, or open signals, basically supported by advertising. That model is going to repeat itself in a ton of free AVOD alternatives (advertising-based video on demand) along with others that are SVOD (subscription video on demand). “You’ll have a mix of content that will either be financed by advertising or that you can buy with the guarantee that you’ll never see any ads.”He gave as an example the case of Netflix, which saw the attraction of being in the ad business. “I really don’t know what will become of the Microsoft/Netflix business alliance, but Netflix’s message is loud and clear: the number of subscribers will always have its limit, so perhaps the subscription model in terms of business is less attractive than that of the advertising model.”Advertising is an industry that will be worth some trillion dollars this year. “There aren’t many industries that handle such attractive sums of money as the ad business. That’s why Google, Facebook, Amazon and Apple rightly back that business, for the activity of the advertising business, and I believe that Netflix realized just how important that is.” “So we users will most certainly take a new look, just like when we started seeing linear television and the ad campaigns we liked, the commercials we talked about, and whose creativity formed part of the chat and tales of things that went on in our homes,” he said. See Face to Face Webinar with Alberto Pardo of Adsmovil

Diario de Hoy

viernes, 27 de septiembre de 2024

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Comenzó la décima edición de SMARTFILMS con más de 1.200 cortometrajes hechos con celulares

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VIPS

• José Luis Sánchez de Natpe Global: Venimos a México a explicar qué es RealScreen Summit y las ventajas de participar en ambos eventos

• César Sabroso de A+E: Producir Huellas para celebrar 70 años de VW en México es ejemplo de unir esfuerzos con marcas para causar mayor impacto

• Productora Nidian Abella: SMARTFILMS me dio la posibilidad de difundir mensajes que resuenen con todos los públicos

PERSONAJE DE LA SEMANA

Roberto Stopello, showrunner y series developer de Netflix

Roberto Stopello es personaje de la semana en PRODU, tras la entrevista exclusiva ofrecida a Ríchard Izarra en #PRODUprimetime, donde reveló detalles de su nueva etapa profesional, después de dejar su cargo en enero de este año como VP de Desarrollo para México en Netflix. Ahora sigue trabajando en exclusiva para la plataforma, pero con mayor libertad y con la posibilidad de pasar tiempo de calidad con su familia. Además, puede vivir en Orlando, EE UU, donde están sus afectos.

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ACTUALIDAD

• Globo presenta al mercado internacional telenovela Manía de ti de João Emanuel Carneiro

• Shooting in Spain intensifica su presencia internacional para atraer rodajes a España

• Festival Internacional de Cine de Cartagena de Indias abrió convocatoria para la selección oficial de su edición 64

• ICEX España lanza la campaña Spain, Where Talent Ignites para potenciar la imagen internacional de la marca Audiovisual from Spain

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CONTENIDOS

• Mi pequeña princesa del catálogo de Latin Media lidera la audiencia en República Dominicana

• Netflix lanza documental argentino María Soledad: El fin del silencio el próximo 10 de octubre

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VIPS
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Natpe fortalece su propuesta como mercado con la incorporación de RealScreen Summit, dos mercados en uno, ambos a realizarse en la semana del 3 al 7 de febrero en el Hotel InterContinental de Miami. De esta manera, incrementa su propuesta de valor, al ofrecer un mayor acceso a distribuidores y compradores de EE UU y global, con el atractivo de nuevos contactos y negocios para el mercado latinoamericano. Otra ventana es que se distancia de Content Americas en el espacio de tiempo. Sobre estos temas habló en México José Luis Sánchez, gerente para Latinoamérica, EE UU y Global de Natpe Global, quien viajó a este país junto a César Díaz, en una cruzada de ventas y promoción del evento.

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ACTUALIDAD
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Gabz, Agatha Moreira, Chay Suede y Nicolas Prattes son los protagonistas de Manía de ti
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CONTENIDOS
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Mi pequeña princesa
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Netflix estrena el próximo 10 de octubre en todo el mundo María Soledad: El fin del silencio, documental argentino de Red Creek y Néctar Films sobre el femicidio de María Soledad Morales, a 30 años de su asesinato.

PRODU
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