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PRODU Opinión- Louis Maldonado de d expósito & Partners: Super Bowl Ads, A Touchdown but No Conversion

Liz Unamo| 3 de febrero de 2020

Louis Maldonado1

Super Bowl advertising has come a long way. This year’s commercials were no longer limited to male targets with creative using guy humor to get a good laugh and be memorable. The categories represented were no longer dominated by the more traditional ones, like beer, soft drinks, snacks and automobiles, but included technology, beauty and, of course, politics. Female-targeted spots were in full force, with empowering, #FutureIsFemale-themed creative including Secret, Olay and Genesis; as were messages of sustainability from Saucony and SodaStream. The casting selection made major strides in terms of diversity, with spots featuring protagonists representing the Black, Asian, Hispanic, 50-plus and LGBTQ+ communities.
 
While Super Bowl advertising has made major strides at reflecting the new American reality, my overall assessment is that this year’s portfolio scored a touchdown without achieving the extra point conversion. That’s because no brand truly seized the opportunity to connect with the Latino consumer during a Super Bowl that was deeply infused with Latino culture and energy. The backdrop was Miami, a city that bridges the U.S. and Latin America. Demi Lovato, who is of Mexican and Portuguese heritage, opened the show by singing the National Anthem. The halftime show entertainment came courtesy of Puerto Rico and Colombia, headlined by none other than Jennifer López and Shakira, two Latina global superstars whose fandom knows no boundaries. Together with Bad Bunny and J. Balvin, two of today’s hottest and most trending artists, they gave us a sensational celebration of Latino culture that was fit for the global stage and indicative of our influence on American mainstream culture. I asked my fellow partner and CCO at our agency, Paco Olavarrieta, for his thoughts, who said, “The halftime show was an epic ad for our brand as a Latino community and a fantastic showcase of our vibrant culture with zest for life. It’s now forever part of this quintessential American sport, and it made me proud of being Latino in this country; not to mention it made me want to move my hips!”
 
Despite all of this, the advertising shown largely ignored America’s largest minority group. Sure, Hyundai tapped Dominican MLB player, Big Papi, with some good-natured ribbing over his accent, and P&G tapped Sofia Vergara and her one-of-a-kind personality for a spot that featured multiple brands. But overall, advertisers fell short of connecting with Latinos in a way that matched our contributions to and viewership of this iconic festivity. Where were the brands like Modelo Especial, that pay tribute to the immigrant, working-class families that help build this country?  Why didn’t we see Spanish-language ads with English subtitles, like we did for Buchanan’s Whiskey during the World Series? While true there was a commercial for Presidente Beer that featured Alex Rodriguez sharing his prideful story as a son of Dominican immigrants, that creative only aired in Miami and New York.
 
Granted, at approximately $6 million for a :30 national spot, we can’t expect all brands to make that investment. However, given the expanded and evolved level of storytelling in this year’s Super Bowl advertising, and since many brands that did invest have had Hispanic-targeted programs for decades, I would have hoped to see at least one commercial that features a Latino-centric story that transcends culture and speaks to the masses. Making such a statement would go a long way towards courting the Latino consumer by reflecting the brand’s understanding of today’s new America; one where the Latino community has no doubt helped build this country, both figuratively and literally, yet hasn’t felt much love given the socio-political environment. Instead, advertisers fumbled the ball and left Hispanic consumers singing J-Lo’s song, asking themselves, “¿y el anillo pa’ cuándo?” (where’s the ring?).
 
Perhaps the long held assumption that we Latinos only watch soccer prevailed, yet again, despite the fact that the Super Bowl consistently ranks as the #1 TV program viewed among Hispanics regardless of language, year over year. Perhaps we in the advertising industry need to do a better job at informing and even challenging our clients to get with the times so they do not miss out on these types of opportunities to make a profound statement on a global stage. Perhaps I should be content with the fact that the portfolio of advertising shown has evolved to be much more diverse and inclusive, with creative that addresses timely topics that really matter. While I do commend the progress made by the advertising community, we still have room for improvement. Next year, let’s convert every point at Super Bowl LV in Tampa, another Latino-oriented city where the industry can really score big by truly reflecting today’s New America.

By
Louis Maldonado 
Partner & Managing Director
d expósito & Partners


Diario de Hoy

viernes, 27 de septiembre de 2024

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Comenzó la décima edición de SMARTFILMS con más de 1.200 cortometrajes hechos con celulares

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VIPS

• José Luis Sánchez de Natpe Global: Venimos a México a explicar qué es RealScreen Summit y las ventajas de participar en ambos eventos

• César Sabroso de A+E: Producir Huellas para celebrar 70 años de VW en México es ejemplo de unir esfuerzos con marcas para causar mayor impacto

• Productora Nidian Abella: SMARTFILMS me dio la posibilidad de difundir mensajes que resuenen con todos los públicos

PERSONAJE DE LA SEMANA

Roberto Stopello, showrunner y series developer de Netflix

Roberto Stopello es personaje de la semana en PRODU, tras la entrevista exclusiva ofrecida a Ríchard Izarra en #PRODUprimetime, donde reveló detalles de su nueva etapa profesional, después de dejar su cargo en enero de este año como VP de Desarrollo para México en Netflix. Ahora sigue trabajando en exclusiva para la plataforma, pero con mayor libertad y con la posibilidad de pasar tiempo de calidad con su familia. Además, puede vivir en Orlando, EE UU, donde están sus afectos.

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ACTUALIDAD

• Globo presenta al mercado internacional telenovela Manía de ti de João Emanuel Carneiro

• Shooting in Spain intensifica su presencia internacional para atraer rodajes a España

• Festival Internacional de Cine de Cartagena de Indias abrió convocatoria para la selección oficial de su edición 64

• ICEX España lanza la campaña Spain, Where Talent Ignites para potenciar la imagen internacional de la marca Audiovisual from Spain

El oráculo 35 años: Cecilia Gómez de la Torre

FIC Monterrey celebra vigésima edición con foco a reforzar su internacionalización

Diana Cobos del FIC Monterrey: Incrementamos la parte de Industria como parte del crecimiento del Festival

Arturo Sampson de Exile: Estrenaremos en Telemundo miniserie documental con J. Balvin que abordará temas mentales

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CONTENIDOS

• Mi pequeña princesa del catálogo de Latin Media lidera la audiencia en República Dominicana

• Netflix lanza documental argentino María Soledad: El fin del silencio el próximo 10 de octubre

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VIPS
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Natpe fortalece su propuesta como mercado con la incorporación de RealScreen Summit, dos mercados en uno, ambos a realizarse en la semana del 3 al 7 de febrero en el Hotel InterContinental de Miami. De esta manera, incrementa su propuesta de valor, al ofrecer un mayor acceso a distribuidores y compradores de EE UU y global, con el atractivo de nuevos contactos y negocios para el mercado latinoamericano. Otra ventana es que se distancia de Content Americas en el espacio de tiempo. Sobre estos temas habló en México José Luis Sánchez, gerente para Latinoamérica, EE UU y Global de Natpe Global, quien viajó a este país junto a César Díaz, en una cruzada de ventas y promoción del evento.

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ACTUALIDAD
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Gabz, Agatha Moreira, Chay Suede y Nicolas Prattes son los protagonistas de Manía de ti
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CONTENIDOS
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Mi pequeña princesa
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Netflix estrena el próximo 10 de octubre en todo el mundo María Soledad: El fin del silencio, documental argentino de Red Creek y Néctar Films sobre el femicidio de María Soledad Morales, a 30 años de su asesinato.

PRODU
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