MERCADEO Versión en español

Círculo Creativo USA and Not Normal celebrate creativity while headed for Cannes 2023

Liz Unamo| 5 de junio de 2023

Daniel Marcet, Virgilio Flores, Tony Waissman y Luciano D Amelio de Círculo Creativo USA y NOT NORMAL

More than 10 Hispanic marketing agencies from the U.S. accepted the invitation issued jointly in Miami by the Circulo Creativo USA and Not Normal to celebrate the best work by Hispanic agencies on their way to the 2023 Cannes Festival. On a ship that sailed from Biscayne Bay in an atmosphere of festivity and unity, agencies, brands and individuals of the industry enjoyed the experience. Before Cannes Sunset, an event that according to the words of Virgilio Floes, president of the Circulo Creativo and creative director of alma, it will soon be repeated in the city of Dallas, Texas.. “When I assumed this responsibility, I set myself the goal of having more meeting points, to get closer and closer as a community – and we’ve achieved it. This is our ninth event. We’ve included many people who bit by bit have joined this project. I’m also pleased to see that brands are joining too, brands like TikTok and Wells Fargo, which today are supporting us as sponsors,” Flores told PRODU.For his part, Jose Luis Cabrujas, partner and executive producer at Not Normal, also took advantage of the occasion to note the results of the meeting. “We’re proud to be able to contribute to this consolidation of our creative community. We’re more than pleased by the attendance and opening of the Circulo, with whom for the second year we organize this event., which many call the industry’s event of the year, along with the support of our sponsors and allies and with PRODU as our media partner,” he said..Cabrujas noted the double motivation of Not Normal in this edition of Cannes, upon making his debut in the festival this year. “For the first time we enter the competition with a piece we produced for our friends at alma DDB, with which we hope to take home a Lion. Last year we set a record as a market for entries submitted and prizes won. This year we don’t expect anything less from the Hispanic industry of the United States.” Among the outstanding submissions were works by such agencies as alma DDB, David, Republica Havas, Dieste, GUT, Zubi, the community, and Archer Troy, among others. Furthermore, there will be the presence of brands sponsoring the event like Wells Fargo, Plus Music, Castingland, Flow Studio and the TikTok platform, the latter represented by Jose De Unbelarea, creative strategist of TikTok, who shared certain insights to create successful cases “It’s a pleasure for us to be able to sponsor and support creativity, because in TikTok that’s our goal. That our people be creative and that the brands and agencies strengthen their creativity by working together, creating campaigns that can be simple but based on a deep concept, and that finally they can all be so strengthened they can transform a moment into a movement,” said De Uribelarrea. As for his view of the relation between Hispanic agencies and the TikTok management, he noted that “Hispanic agencies are in a very important moment of transition, when TV commercials are no longer such a dominating feature but rather they have to inspire the social platforms and networks. In the end, agencies are the ones that have to promote, motivate and stimulate people to be creative, and they have the power and they’re doing well turning back to multiplatform in order to take a brand concept into the community so it becomes its voice.” Among the guests was Daniel Marcet, president of FIAP, who spoke of the fine get-together of Not Normal and the Circulo Creativo. “Today we see union and companionship across the entire community.” As for the pieces exhibited, and the prediction of the participation of the Hispanic market at Cannes, Marcel added, “For what I’ve been seeing in terms of works by Latino agencies, I believe they’ll have a good performance at Cannes. May that be the case, because the fact is they deserve it. I believe they’re adapting very well to the new world, the new codes, the new technologies, and to everything in this time of so much innovation that we’re living through.” Finally, Tony Waissmann, CCO of Republica Havas, who also acted as co-host of the evening together with Luciano D’Amelio, creative VP of Ogilvy, spoke of his satisfaction upon seeing the industry share and celebrate like just one team. “Our theme as an industry is “let’s get on the boat,” and that’s what it’s all about. “’Let’s get on’ and share good work and hope that it all goes well for all of us. I’m very pleased withal the agencies that showed up here, all their works are incredible, may all go well for us as a market above all. It’s a nice excuse to get together, share our work, and truth to tell, in an industry where egotism sometimes prevails, it’s very good to see us as a team and work together as an industry, more than as individual agencies,” he added. See photo gallery

Diario de Hoy

viernes, 27 de septiembre de 2024

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Comenzó la décima edición de SMARTFILMS con más de 1.200 cortometrajes hechos con celulares

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VIPS

• José Luis Sánchez de Natpe Global: Venimos a México a explicar qué es RealScreen Summit y las ventajas de participar en ambos eventos

• César Sabroso de A+E: Producir Huellas para celebrar 70 años de VW en México es ejemplo de unir esfuerzos con marcas para causar mayor impacto

• Productora Nidian Abella: SMARTFILMS me dio la posibilidad de difundir mensajes que resuenen con todos los públicos

PERSONAJE DE LA SEMANA

Roberto Stopello, showrunner y series developer de Netflix

Roberto Stopello es personaje de la semana en PRODU, tras la entrevista exclusiva ofrecida a Ríchard Izarra en #PRODUprimetime, donde reveló detalles de su nueva etapa profesional, después de dejar su cargo en enero de este año como VP de Desarrollo para México en Netflix. Ahora sigue trabajando en exclusiva para la plataforma, pero con mayor libertad y con la posibilidad de pasar tiempo de calidad con su familia. Además, puede vivir en Orlando, EE UU, donde están sus afectos.

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ACTUALIDAD

• Globo presenta al mercado internacional telenovela Manía de ti de João Emanuel Carneiro

• Shooting in Spain intensifica su presencia internacional para atraer rodajes a España

• Festival Internacional de Cine de Cartagena de Indias abrió convocatoria para la selección oficial de su edición 64

• ICEX España lanza la campaña Spain, Where Talent Ignites para potenciar la imagen internacional de la marca Audiovisual from Spain

El oráculo 35 años: Cecilia Gómez de la Torre

FIC Monterrey celebra vigésima edición con foco a reforzar su internacionalización

Diana Cobos del FIC Monterrey: Incrementamos la parte de Industria como parte del crecimiento del Festival

Arturo Sampson de Exile: Estrenaremos en Telemundo miniserie documental con J. Balvin que abordará temas mentales

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CONTENIDOS

• Mi pequeña princesa del catálogo de Latin Media lidera la audiencia en República Dominicana

• Netflix lanza documental argentino María Soledad: El fin del silencio el próximo 10 de octubre

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VIPS
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Natpe fortalece su propuesta como mercado con la incorporación de RealScreen Summit, dos mercados en uno, ambos a realizarse en la semana del 3 al 7 de febrero en el Hotel InterContinental de Miami. De esta manera, incrementa su propuesta de valor, al ofrecer un mayor acceso a distribuidores y compradores de EE UU y global, con el atractivo de nuevos contactos y negocios para el mercado latinoamericano. Otra ventana es que se distancia de Content Americas en el espacio de tiempo. Sobre estos temas habló en México José Luis Sánchez, gerente para Latinoamérica, EE UU y Global de Natpe Global, quien viajó a este país junto a César Díaz, en una cruzada de ventas y promoción del evento.

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ACTUALIDAD
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Gabz, Agatha Moreira, Chay Suede y Nicolas Prattes son los protagonistas de Manía de ti
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CONTENIDOS
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Mi pequeña princesa
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Netflix estrena el próximo 10 de octubre en todo el mundo María Soledad: El fin del silencio, documental argentino de Red Creek y Néctar Films sobre el femicidio de María Soledad Morales, a 30 años de su asesinato.

PRODU
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