U.S. HISPANIC

Joshua Mintz on #PRODUprimetime from Israel: We soon are going to produce TV in Latin America for all the world beginning in Argentina

Maribel Ramos-Weiner| 18 de junio de 2021

Joshua Mintz de Dori Media

“We are going to produce TV in Latin America for all the world. That is our mission, and we will execute it with the knowledge and contacts we have, using the content of which we are part-owners, that we are looking for, and that we are going to acquire. We will use our own capital because the plan also involves always being partners in production,” said Joshua Mintz in #PRODUprimetime with Ríchard Izarra from Jerusalem, Israel, where he lives and works as Chief Content Officer of Dori Media Group.

PRIVILEGE
“I am very happy to be in Israel, and with Dori Media, and very happy to work with Nadav Palti (president and CEO), and Givon Snir (head of Content), and to be part of the team now. It is really a privilege to work with people with whom I share not only the vision of TV but also important and fundamental life principles as human beings, they are one-piece people,” said Joshua, whom Ríchard introduced as follows: “Today I have the pleasure to be with an executive and a great producer, who the most important TV networks in Mexico and the US are fighting to recruit. He has been responsible for many of PRODU’s big headlines, due to the success of the contents he has conducted during his more than 30 years of trade. Today he has taken another step in his ever-ascending career by agreeing to be the Chief Content Officer of Dori Media.”

NO RUSH BUT SOON
To the question of how fast do his new bosses expect results in carrying out his projects? he said: “We presented our plan to Nadav Palti. He saw it and said, ‘If you manage to accomplish half of this, you are going to be very lucky.’ And it wasn’t a high-volume plan, but a high-quality plan. There is a rush because we do not know how long the moment that TV is living now will last; we don’t know how long this incredible demand for the product will continue. Will it last two years? Will it last three years? Will it be forever? We do not know! But there is a great demand, and we have to hurry to be able to comply at this time when the market is mature. However, we do not have a gun held to our heads and we are living those times when: ‘Oops, Monday’s episode is not ready and today is Thursday and we have to cover 650 hours a year.’ This moment is about which product fits within the quality we are looking for, who are we going to work with, where is the business model, where Dori Media is going to shine and flourish both in content creation and financially because that is very important. That is the mission! No rush, but we have to seize the opportunity and find the stories, find the markets, and find the producers to be able to execute it.”

BREAKING NEWS
Ríchard asked him if he could give any breaking news to PRODU. He replied that he could not say anything yet, but he dropped: “I can tell you that we are working clearly focused on Argentina; we are clearly focused on Turkey, eager to find things for Mexico and Colombia, and with important developments for the US and Canada.”

When Ríchard commented on the quality of Losing Alice, Dori Media’s series for Apple TV, Joshua pointed out: “Dori Media is making very high-quality content. Losing Alice is a perfect example. We, Givon and I, have the mission to make the market grow in two specific areas: In Spanish-speaking and projects for Turkey. So we are doing that mix right now, looking for new content in these two areas, bringing them to the level that the public is demanding.”

SERVING THE AUDIENCES
Ríchard stressed that there were companies that produced for broadcast TV and others for platforms and that Dori “played in both fields”. Where is Joshua aiming to?
He replied saying: “What you say is indeed correct. There are several clients and each client has his budget and his needs. At this point in my career I contribute by knowing what people want to see on linear TV; on platforms; on open TV; which should be of the highest quality.” He added: “If my career is considered successful it is for two reasons, one, because I have always worked with people more capable than me; all my friends [as he calls his collaborators] know more than I do, and they are all in high positions today and all deserve to be in those positions. And why was this? Because we are people who do understand what the public wants, on which platform, and we do not do TV for ourselves. If I wanted to do TV for myself, then I would do my series and watch it on my channel. But we are content providers for certain audiences that are on certain platforms, on certain distribution channels, and that is the right thing to do, and they are the ones that have to be served. We have to work for the audience, and I think a lot of friends and colleagues are doing this brilliantly, understanding what audience they are targeting and complying with it.”

LIVING IN ISRAEL
On how he felt living in Israel, he expressed: “For me, it is a dream come true, it is a goal that I set for myself many years ago and that I was able to achieve at this stage of my life. I was driving from Tel Aviv to Jerusalem a couple of days ago, and the ascent of the road is through a path of pine trees and very beautiful mountains. As you drive down the road you can see the city from the top of the mountain, and I really had to pinch myself. What a blessing! Living in Jerusalem, a city with a history of thousands of years and where you walk on the street and feel that you are in an important place. I am very happy to live here. My children and my wife are also very happy; it is a country with many opportunities, everyone is very competitive, very qualified, the bar is very high, I cannot compare it to anything else.”

KEEN DESIRE
He continued: “I can tell you that I feel like when I went to the United States in 2000, the same desire, the same eagerness to succeed. I am entering another stage of my life and I tell you: it is just another challenge, regarding both country and executive culture, corporate culture. But I have gotten used to Televisa, Univision, Telemundo, and I say that in Telemundo I had 5 bosses in 4 years; if I managed to work with Benjamín Salinas, which was really a great experience, here this will turn out very well too. Regarding my family, we all feel very happy and very fulfilled.”

TRIPS?
When asked if he would travel to Argentina or Turkey, he replied: “Personally, it is imperative for me to get on a plane and travel, and visit the locations. I remember when I lived in Miami, I was always on a plane between Colombia, Mexico, New York, Los Angeles. This feeling of not traveling is very strange. I do not necessarily share the view that we will never be with a team and work in offices again. I do not believe that the creative exchange at Zoom is as enriching as the person-in-person contact in a meeting room. I think there are many things that are lost in this type of communication, which in any case has saved us, and of course, in many places, it is the future. But we are constantly expressing emotions and nothing can compare with this while talking in a reading room with the actors and the writers. This is the way it should be and I hope that very soon we will return to certain global normality: that everyone is vaccinated and that airlines and countries open their borders to be able to work.”

Diario de Hoy

viernes, 27 de septiembre de 2024

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Comenzó la décima edición de SMARTFILMS con más de 1.200 cortometrajes hechos con celulares

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VIPS

• José Luis Sánchez de Natpe Global: Venimos a México a explicar qué es RealScreen Summit y las ventajas de participar en ambos eventos

• César Sabroso de A+E: Producir Huellas para celebrar 70 años de VW en México es ejemplo de unir esfuerzos con marcas para causar mayor impacto

• Productora Nidian Abella: SMARTFILMS me dio la posibilidad de difundir mensajes que resuenen con todos los públicos

PERSONAJE DE LA SEMANA

Roberto Stopello, showrunner y series developer de Netflix

Roberto Stopello es personaje de la semana en PRODU, tras la entrevista exclusiva ofrecida a Ríchard Izarra en #PRODUprimetime, donde reveló detalles de su nueva etapa profesional, después de dejar su cargo en enero de este año como VP de Desarrollo para México en Netflix. Ahora sigue trabajando en exclusiva para la plataforma, pero con mayor libertad y con la posibilidad de pasar tiempo de calidad con su familia. Además, puede vivir en Orlando, EE UU, donde están sus afectos.

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ACTUALIDAD

• Globo presenta al mercado internacional telenovela Manía de ti de João Emanuel Carneiro

• Shooting in Spain intensifica su presencia internacional para atraer rodajes a España

• Festival Internacional de Cine de Cartagena de Indias abrió convocatoria para la selección oficial de su edición 64

• ICEX España lanza la campaña Spain, Where Talent Ignites para potenciar la imagen internacional de la marca Audiovisual from Spain

El oráculo 35 años: Cecilia Gómez de la Torre

FIC Monterrey celebra vigésima edición con foco a reforzar su internacionalización

Diana Cobos del FIC Monterrey: Incrementamos la parte de Industria como parte del crecimiento del Festival

Arturo Sampson de Exile: Estrenaremos en Telemundo miniserie documental con J. Balvin que abordará temas mentales

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CONTENIDOS

• Mi pequeña princesa del catálogo de Latin Media lidera la audiencia en República Dominicana

• Netflix lanza documental argentino María Soledad: El fin del silencio el próximo 10 de octubre

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VIPS
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Natpe fortalece su propuesta como mercado con la incorporación de RealScreen Summit, dos mercados en uno, ambos a realizarse en la semana del 3 al 7 de febrero en el Hotel InterContinental de Miami. De esta manera, incrementa su propuesta de valor, al ofrecer un mayor acceso a distribuidores y compradores de EE UU y global, con el atractivo de nuevos contactos y negocios para el mercado latinoamericano. Otra ventana es que se distancia de Content Americas en el espacio de tiempo. Sobre estos temas habló en México José Luis Sánchez, gerente para Latinoamérica, EE UU y Global de Natpe Global, quien viajó a este país junto a César Díaz, en una cruzada de ventas y promoción del evento.

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ACTUALIDAD
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Gabz, Agatha Moreira, Chay Suede y Nicolas Prattes son los protagonistas de Manía de ti
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CONTENIDOS
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Mi pequeña princesa
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Netflix estrena el próximo 10 de octubre en todo el mundo María Soledad: El fin del silencio, documental argentino de Red Creek y Néctar Films sobre el femicidio de María Soledad Morales, a 30 años de su asesinato.

PRODU
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